Development: Nothing Standard about it...

That's why New York is the capital of all cities... It never seezes to amaze its residents, always has something new to its visitors and knows how to work with what it got! In a part of town, the High Line in the Meatpacking district, where any other city would have left it be and forgotten, Andre Balazs, managed to build a luxury hotel. Not only, his opening coincided with the biggest development halt of this century, so all eyes on him, but also his architects - the Polshek Partnership - managed to create a rather "instantly iconic" building compared to the likes of "Le Corbusier and other notable international style buildings, like the locally based Lever House and United Nations". It's presence makes you question if it was always there, with its 13 mm concrete skin covering 28,000 sft, rising from stilts 18 stories above the High Line, a disused elevated rail line that is today one of the city’s hippest parks. The Standard's interiors aren't so bad either... designed by Hollywood set designer Shawn Hausmann and New York based Roman and Williams, they keep a modern simplistic tone, so that nothing can take away the breathtaking views from its guest...

Architecture: Snow White

In the remote desert of Idaho, Tom Kundig of Olson Sundberg Kundig Allen Architects, created the perfect heaven for artist and designer Jan  McFarland Cox. Ms McFarland spent the past decade working on her dream project that would serve as a residence and a work studio at the same time. A secluded garden is designed as an oasis, separated from the dry landscape by thick concrete wall. Concrete block, car-decking and plywood are a few of the sustainable materials used to withstand the extreme weather and to integrate with the natural landscape.  

via The New York Times

Event: Columbia University invites Zaha Hadid

Columbia University is validating its name once more for being an incredible academic institution by offering lectures as this tonight to its students and guests... The Graduate School of Architecture, Planning and Preservation is hosting Zaha Hadid to discuss about her recent works and her thoughts about the future in architectural design in line of the recent economic events. Zaha has just launched her recent creation in New York, a Pavilion in Central Park that features objets de la Maison Chanel...  More on this... soon!  

Architecture: The Dream House

This could easily be the definition of an oasis... the private house in Arizona designed by the owners themselves, Sarah Swartz Wessel and Ethan Wessel of Tennen Studio is sited on a rocky slope planted with agave, desert mikweed and night-blooming cacti. The 10,500 SF house carries a strong influence of Asian design that is eminent to all of the work of Tennen Studio. The house is projected out from the slope, taking advantage of the mountain views mostly rather than the valley near by. Its undeniable how this modern creation has a timeless element to it... With the use of natural materials, the house is perfectly embraced within the natural landscape. The art above, a Lucien Wercollier bronze sculpture, is just icing on the cake! 

via Architectural Digest 

Architecture: a Sheik's High-Tech McMansion...

While architecture and new developments have come to a halt, due to the current economic crisis, one place that is still keeping things busy is Qatar. This private villa was designed by Project A01 architects, based in Vienna, located in the West Bay Lagoon area in Doha.  The beach house, with a very Zaha Hadid air to it, has blended modernism and heritage perfectly, by embedding local ornamental and traditional patterns in its context. 

Architecture: The Green House

We love when New York gets greener and especially it's rooftops... Above is real estate developer Matthew Blesso's 3,000 SF penthouse in Lower Manhattan, a New York heaven, that cost over $1 Million in renovation. The house now includes a herb garden, full of peppermint and spearmints, and wooden floors. 

Architecture: Minimal wonder...

...is what architect Len Marmol and partner Ron Radzinger created by renovating and expanding interior designer Carole Katleman's 1963 Beverly Hills residence. "The modern character of the house had potential, but we simplified the plan and improved the disjointed circulation patterns", says Marmol. The designers cleared out the doors, in order to connect all units to create a more spacious living area. A Frank Gehry corrugated-cardboard chair is next to Valerie Jaudon's Mound Bayou, 1978. (May 2002 of Architectural Digest)